WARREN DUNES – “FISHBOWL” b/w “COOL MOM” is at Top 200 Radio Now!!!

This wonderful Seattle-based band (named after a Michigan landmark) has been pals of mine for a few years now, ever since I was first introduced to lead singer Julia Massey by our mutual friend (and top-tier Band Mom artist), Shenandoah Davis. I can’t tell you how happy I am to finally get to work a release of Julia’s. This two-track single release is in advance of an album that will be coming out, EVENTUALLY, but not until at least Spring 2021, so for now think of this one as a simple standalone release consisting of two songs (not an album teaser per se).

This band is so great. It’s tropicalia- or even reggae-influenced indie rock, uplifting carefree stuff with a real original spirit. At points it’s almost surfy lady-fronted pop a la Best Coast; at other times its world-rhythms-influenced mathy rock reminds me of a band like MuteMath; their infectious joy (and the fact that the band contains a gleefully happy romantic couple) is even reminiscent of Matt and Kim. You’re gonna love it!!

Also fyi, this band is available for interviews if you’d like to have them call in to talk to you! Just hit me up and I’ll connect you!

WARREN DUNES

“FISHBOWL” b/w “COOL MOM”

Big Wawa

Slinking Caribbean funk-pop with big choruses and groovy rhythms.” – Under the Radar

Currently residing in the always-balmy Pacific Northwest, brothers Jared and Dominic Cortese spent their youth running through the shifting sands of Warren Dunes State Park in Southwest Michigan. In Warren Dunes, their Seattle-based band fronted by Julia Massey, they chart new realms of musical fantasy with contagious joy.

Post-modern beach music, Warren Dunes weaves threads of indie pop, art-rock, psych, and Tropicalia into a complex yet easy-going whole. Self-assured yet free of bombast, their debut EP Welcome To Warren Dunes (2019) is an art-pop dreamscape of unapologetic fun. This is a record of nuance and bubbling ornament, where bold swaths of melodic primary color burst into neon-flecked clouds of sonic glitter as Massey’s arresting, crystalline voice soars overhead.

Their forthcoming single “Fishbowl”, and its accompanying meditative video, serves as a reminder of the value in recognizing our shared humanity. In 2015 and 2016, there were a handful of experiments conducted where strangers were asked to sit and silently share eye contact with one another for 4 minutes. What they discovered was that this simple act of looking into one another’s eyes for a short time created a “deep and meaningful connection.” “Fishbowl” is an homage to this experiment; it illustrates what happens when we truly take time, and not much time at all, to meet people where they are in the present moment.

Since the release of Welcome To Warren Dunes, the band has toured nationally, performed an in-studio session at venerable bastion of independent music KEXP (who lauded the band’s “psych-tinged indie-pop, shimmering guitars, bouncy rhythms and soaring hooks”), and released a wild video for EP standout “Crosstown Villain”. Instantly recognizable, the music of Warren Dunes slides seamlessly from delicate post-punk explorations to anthemic, sing-along pop built on a foundation of arena-worthy choruses.

Based on the belief that we can all be #smallbutmighty, Warren Dunes donates proceeds from live performances to a variety of charitable organizations. For more information, please visit: www.warrendunesband.com/beneficiaries


RIYL: Best Coast, tUnE-yArDs, Matt & Kim, MuteMath

Start With: 1, 2 (it’s only two tracks and their order doesn’t matter)

FCC CLEAN

Contact me for a download link if you’re a radio rep!

https://www.facebook.com/welcometowarrendunes/

https://twitter.com/warrendunesband

https://www.warrendunesband.com/

https://www.instagram.com/warrendunesband/

https://warrendunes.bandcamp.com/

JONAS CARPING – STRANGERS is at Top 200 *and Folk* Radio Now!!!

If you’re a longtime Band Mom head, there’s a chance you may remember Jonas Carping from the last time I worked a record of his – Cocktails and Gasoline, back in 2016. He’s back!! But, while that 2016 record was tinged with classic rock, this one is stripped down raw, simple, quieter. Recorded live in the studio, primarily with just two guys, plus one lady adding some BGVs (not a full band). It’s got a Prince cover, a Neil Young cover, and five originals. I must admit it is very thrilling to me that I went from working with a New Zealander artist to a Swedish one. The Band Mom is international, baby!!

This is a rare record I’m promoting to two different charts in the NACC system: going for both Top 200 (general/rock/catchall) as well as Folk genre charts! If you’re a Folk director and we haven’t spoken before, hit me up – I’d love to send this your way!!

JONAS CARPING

STRANGERS

Self-Released

Jonas Carping is an independent artist based in Lund, Sweden. Jonas has released two studio albums – solo debut All The Time In The World (2012) and Cocktails & Gasoline (2015) which both reached critical acclaim in the underground blogosphere.
 
Strangers, Jonas’s third studio album, is a collaboration with Amsterdam guitar player Michiel Oskam (and with the support of background vocals from Sigrid Carping, Jonas’s wife). It was recorded live in the studio of Scotsman Simon Larkin residing in the heart of the south of Sweden. Simon is a former London-based session musician now running his own studio in Sweden – Larkin CS Studios.
 
Jonas and Michiel wanted to keep the recordings and arrangements as raw and naked as possible. Simon’s studio was the perfect place for this. It was a truly inspiring environment focused simply on the pure love for making music.
 
In addition to five original tracks, this album includes two covers: Prince’s “When Doves Cry” and Neil Young’s “Rockin’ In The Free World”. Both iconic songs that have been favorites of Jonas’s for a lifetime, stripped down to their hauntingly beautiful songwriting roots in tribute to their genius.
 
Honest and raw. Naked and pure. We hope you’ll love it.

RIYL: Noel Gallagher, Johnny Cash, Bob Dylan, Leonard Cohen, The Glade, Prince & Neil Young (covers)

Start With: 3, 5, 4

FCC CLEAN

Contact me for a download link if you’re a radio rep!

https://www.jonascarping.com/

https://music.apple.com/us/artist/jonas-carping/319348754

https://www.youtube.com/channel/UCBewCa80KSHK-0CGDaoYBoQ

https://soundcloud.com/jonas-carping/

https://jonascarping.bandcamp.com/

https://www.instagram.com/jonascarping/

https://www.facebook.com/JonasCarpingOfficial/

https://twitter.com/jonascarping

JONATHAN BREE – AFTER THE CURTAINS CLOSE is at Top 200 Radio Now!!!

After a couple quiet months, I finally have an add this week!! Don’t miss it – the new full-length album by Jonathan Bree (who you’ll remember from the singles I worked both earlier this spring and late last fall) is finally here and it rips!! This one feels like a long time coming, both because it’s my first new add since March (pandemic scrambled a bunch of release dates around of course, including this one which was originally scheduled to come out in April) and because I’ve basically been working on it since last November when I started pushing that first single. Wow. We made it, y’all. We’re here. Jonathan Bree’s new album is out and all is right with the world. In case you’re new to this pal: if you have any knowledge of New Zealand pop music, you might recognize him as former bandleader of cute twee popsters The Brunettes, or label head of influential NZ label Lil Chief Records. He also has been known to play in the band of Princess Chelsea. I would say his present-day music is best described as Magnetic Fields meets Casket Girls. My personal history with this guy goes way back and is quite special to me, which you can read a bit more about on my post about the first single I worked if ya like. His current stage show is really something to see too: it involves solid white spandex masks and pioneer-woman-styled backup dancers with complex choreography. Someday bands will be allowed to tour outside of NZ again and we’ll see it. His music is spooky, creepy, and also romantic and sweet and sometimes even hooky bangers.

He’s also got a slew of killer videos, including one for his newest single “Heavenly Vision” which features a very good dog named Panda. There’s also a great video for the song “Kiss My Lips” (the single I was working in the spring, featuring Princess Chelsea in an American Bandstand-type scenario, that was shot around the same time of Jonathan Bree’s viral hit video for “You’re So Cool“.

My pal Jake Uitti recently published a rad interview with Jonathan in American Songwriter, which you can check out right here: he calls Jonathan’s music “smooth and warm with a kiss of the bittersweet” and also compares him to David Bowie in Labyrinth!! :o Also check out this sick Bandcamp Daily feature on him that went up at the end of July; also DJ Troy Nelson shouted me out on KEXP while giving a really clear description of what’s special about Jonathan’s music and live show – I loved that so much I recorded it jankily on my phone’s voice memo app (so turn up yr volume probably), so you can listen real quick (maybe for some inspo on how to describe this jam?!) right here.

JONATHAN BREE

AFTER THE CURTAINS CLOSE

Lil Chief

Jonathan Bree is a musician from New Zealand, known for melodic compositions where he croons about modern life and love, over string parts that slide precariously between notes and dulcitone chimes. The end result is a musical palette one could describe as dark Disney.
 
His live shows have also gained him a cult following as he tours extensively across the world. Masked band members in pioneering clothing are set against a backdrop of cinematic projections created specifically for each song. Unusual for an indie act, he also has two dancers who perform other-worldly choreographed routines along with the music.
 
After his “You’re So Cool” video went viral in 2017 (currently sitting at nearly 18 million views on Youtube), many likely assumed Jonathan Bree was a new artist. He began writing his own songs at age 9 and performed live as a drummer in his cousin’s band until age 13. This was interrupted after being sent to live in Australia with his father, who was an aspiring cult leader. Bree subsequently left home and independently navigated his teenage years.
 
When Bree returned to New Zealand, he formed The Brunettes, who in their active years toured the world and released music through Sub Pop Records and Bree’s own label, Lil Chief Records. The frustrations of trying to take this traditional route to success saw him take a long break from releasing his own music. In the interim, he happened to produce the song “The Cigarette Duet” for Princess Chelsea (in 2011) and directed its video which has since surpassed 47 million views.
 
He began releasing music as a solo artist in 2013. After The Curtains Close will be Jonathan Bree’s fourth full-length solo effort, out via Lil’ Chief Records on July 17th, 2020. ​

What could be described as Bree’s “sleazy” album could also be described as his break-up album. Dealing with the break-down of a major relationship, Bree opens up to reveal a year of loneliness and mental trauma—while also channelling positive feelings by embracing sex and sleaze in his music, subject material more traditionally reserved for the single man. Bree strikes a balance between darkness and silliness here without appearing snide.
 
The album sees the producer’s trademark orchestral pop take a few unexpected turns, both into the experimental and also into kitschy territory populated by some of his French heroes of the 1960s. The end result is an album that retains Bree’s musical DNA while being fun and varied. It also features guest vocalists for the first time, including longtime collaborator Princess Chelsea as well as Britta Phillips (of Dean & Britta and Luna).


RIYL: Princess Chelsea, The Brunettes, Britta Phillips/Luna, Ruby Suns, Lawrence Arabia, Anthonie Tonnon, Lee Hazlewood, Serge Gainsbourg, Scott Walker, The Magnetic Fields, Casket Girls

Start With: 3, 4, 6, 8

FCC CLEAN

Contact me for a download link if you’re a radio rep!

https://www.jonathanbreemusic.com/

https://www.instagram.com/jonathanbree666/

https://www.facebook.com/jonathanbree666

http://www.lilchiefrecords.com/

https://open.spotify.com/album/7mxGl0T5uIfyOpK27dF0de

DOWN TIME – HURTS BEING ALIVE is at Top 200 Radio Now!!!

My newest priority for radio is a fun bedroom indie rock band from Denver. I actually was introduced to Down Time through a film festival coworker friend, which is a fun and unusual way to make new music friends! They have strong ties to fellow Denver band Tennis – they recorded this album in Patrick Riley and Alaina Moore (of Tennis)’s home studio, and also Riley and Moore are releasing it via their label Mutually Detrimental. So I mean for sure RIYL Tennis for this band! But I’d also put them somewhere in a nexus between Palehound and Best Coast with more psych-y vibes splashed on top, if you can picture that? Or well ya know, you don’t have to picture it, just give a listen to this lovely album! Also just to make sure you see, the band’s name is Down Time, two words with a space in between. Now you know!

DOWN TIME

HURTS BEING ALIVE

Mutually Detrimental

“See you on the other side,” Alyssa Maunders sings on “Other Side,” the opening track to Hurts Being Alive by Denver bedroom indie rock trio Down Time. Her voice carries over a lasting, sustained chord, just before the spacious track dives into its second side, where she’s joined, like old friends, by bass, drums, and a bending, hopeful guitar line. There’s comfort in those words. It’s a promise, and Maunders’ trusting vocals ensure that it’ll be okay. Just take this journey with her.

And that journey is like exploring the warmth of a childhood memory—something nostalgic but unique to specifically one time and place. Take “Not a Complicated Person” for example, where Maunders sings about the oft-overlooked simple pleasures of a home cooked meal—creating something from nothing. Giving back. And that’s what Down Time’s music is. It’s an act of kindness. David Weaver’s bass and drums are careful, precise, enriching. Justin Camilli’s melodies are fulfilling, friendly, unassuming. Maunders’s vocals are compassionate, understanding, introspective. It’s the sound of creative freedom—a clarity of artistic vision, of collaborative trust, and truth. 

Listening to Down Time is like dropping in on a friend—someone who’s there to listen or challenge or provide a new perspective. Down Time brings excitement to familiarity. It’s a conversation between three friends that invites the listener to be part of the family.

Produced by Patrick Riley and Alaina Moore of the band Tennis out of their Denver home studio, Hurts Being Alive is out via Riley and Moore’s label, Mutually Detrimental, on March 6th, 2020.


RIYL: Tennis, Bad Bad Hats, Frankie Cosmos, Big Thief, Drugdealer, Sam Evian, Belle & Sebastian, Soccer Mommy, Palehound, Reptaliens, Snail Mail

Start With: 3, 4, 6

FCC: 1, 5, 7

Contact me for a download link if you’re a radio rep!

https://www.facebook.com/DownTimeForever/

https://downtime.bandcamp.com

https://www.downtimeforever.com

https://www.instagram.com/downtimeforever/

MOUNT SHARP – THAT SHADOW is at Top 200 Radio Now!!!

I’ve been pals with one member of this sweet-with-bite rock band from Brooklyn for coming up on a decade now: Bryan and I used to work together at a venue in Brooklyn a lifetime ago, one time sharing an only mildly disastrous hotel room situation with a band he was managing at SXSW, and then also since then he’s stayed in my professional orbit by working with the extremely cool NYC station/website BreakThru Radio. Actually Mount Sharp isn’t even the first Band Mom band that has included a coworker from that same origin-story venue! It’s so nice when old pals pop up in new contexts. That’s what a lot of working in the music industry for any significant length of time turns into. Anyway I’m getting away from the point here. I love Mount Sharp so much and what I was really trying to say was that I’ve been dying to work with them for so long. BrooklynVegan calls them “warm and fuzzy indie rock that’s not afraid to let it rip either” which I think is an apt description.

I’m sorry that this one is download-only, but CD copies of this album do not exist at all. ALSO, an important FYI for you radioheads is that my original download link includes 192 kpbs mp3s, but there is also a link full of wav files for ya if you prefer. Just ask (if you work at a radio station). Also: it’s got a couple FCC-unfriendly tracks BUT those download links also include CLEAN EDITS already wrapped up in ’em (unless you can’t play the word “Goddamn”, in which case track 5 is still not clean. But it definitely removes the F-word it had in it)!

One more FYI is that lead singer Sarah Wood (commonly known as “Swood”) uses they/them pronouns. So this is music with a non-binary vocalist, not a female or femme vocalist. The More You Know! Ok I think that’s about all I have to tell you, now just dive in yourself, and (assuming you’re at a station) make sure to download and spin/chart this glorious thing today!!

MOUNT SHARP

THAT SHADOW

Dadstache Records

Mount Sharp began on a rooftop in Brooklyn, or on a boat in Maine, or perhaps somewhere in between. Either way, the band grew around the bittersweet, poetic songwriting of Swood (Sarah Wood, they/them pronouns) paired with Bryan Bruchman (he/him)’s noisy, chaotic tendencies around 2012. On 2014’s Weird Fears EP (with the rhythm section of Ryan Zumsen and Maia Macdonald), the band exhibited a blast of unbridled energy, excitement, and confusion –  a fitting soundtrack to a brief blissful, carefree time before so much changed. The band – now with Sal Garro and Jonathan Pilkington Kahnt (both he/him) firmly holding down the drums and bass – has matured, and the songs are maybe a little more serious, maybe a little more reflective, but no less cutting and catchy. Taking inspiration from the cosmos, sci-fi tv, and the messed up state of the world, Mount Sharp puts all the feels into song.

That Shadow follows you – full of sticky melodies, lyrics that cut, and surging waves of noise, this record will get under your skin. Inspired by years of watching all the assholes we know win, figuring out how to be kinder to ourselves, and all the beautiful and tragic machines in space. It’s about everything that pulls us to look behind ourselves, when we should be looking up and dreaming. 

Grounded by vivid, striking (and often deeply nerdy, see: odes to Carl Sagan in “Voyagers I & II”) storytelling & lyrics, the album radiates with anxiety, longing, and battered hope. 

All tracks were produced by Brian Sendrowitz (of Beat Radio) at Miracle Flag in Bellmore, NY, mastered by Sarah Register (of Talk Normal, credits include Protomartyr, Caroline Rose, Chastity Belt, Big Thief, Lower Dens, and Big Ups); cover art illustration is by Jenna Breiter.

“Warm and fuzzy indie rock that’s not afraid to let it rip either” – Brooklyn Vegan


RIYL: Diet Cig, Rainer Maria, Hop Along, Speedy Ortiz, Yo La Tengo, Land of Talk

Start With: 3, 4, 10

FCC: 5, 7 (CLEAN EDITS INCLUDED IN DOWNLOAD: 5’s clean edit says “G*ddamn” but removes “f**k”)

Contact me for a download link if you’re a radio rep!

http://hellomountsharp.com/

https://www.facebook.com/MountSharp/

http://twitter.com/HelloMountSharp

https://mountsharp.bandcamp.com/

https://hellomountsharp.tumblr.com

https://www.instagram.com/mountsharp

https://www.youtube.com/channel/UCjO2ghd1yphGgxISmG-kkKQ

JONATHAN BREE ft. PRINCESS CHELSEA – “KISS MY LIPS” single is at Top 200 Radio Now!!

It’s time for a new Jonathan Bree single!! Yes!! If you need a reminder since last fall regarding who this guy is: if you have any knowledge of New Zealand pop music (a subject in which I’m proud to have a small amount of professional expertise), you might recognize him as former bandleader of cute twee popsters The Brunettes, or label head of influential NZ label Lil Chief Records. He also has been known to play in the band of Princess Chelsea. I would say his present-day music is best described as Magnetic Fields meets Casket Girls. My personal history with this guy goes way back and is quite special to me, which you can read a bit more about on my post about the last single if ya like. His current stage show is really something to see too: it involves solid white spandex masks and pioneer-woman-styled backup dancers with complex choreography. He’s still on that tip with this newest track, just also with a lady vocalist. It’s spooky, creepy, and also romantic and sweet. You have to check it out, it’s really something special. I love it so much.

To decode that title, which is formatted in NACC’s preferred style: it’s just one song this time (you may remember that my last Jonathan Bree single was two tracks), and this one has a guest vocalist: Bree’s longtime collaborator, fellow kiwi Princess Chelsea. I have a bit of a history with that act as well: Princess Chelsea played my very first ever “Band Mom Presents” live show in 2011, which even had the poster designed by a pal who was a music director at the time! Anyway, there’s also a great video for this new song, featuring Princess Chelsea in an American Bandstand-type scenario, that was shot around the same time of Jonathan Bree’s viral hit video for “You’re So Cool“. You’re gonna want to get on this ASAP. Make sure to grab the download (hit me up if you’re a radio station rep who didn’t get the email) so you can add it for your station; no hard copies exist of this one; it is download only. There are both mp3 and wav files included in my download link, so you get to make up your own mind about what works best for you. And just FYI, while there is a full album slated to come out in April which this track is planned to be a part of, this isn’t a brief tease: this is a full-on single campaign, not a trick to segue into the album campaign, I am fully working here to get you to focus on playing the crap out of this one song! Please check it out!!

JONATHAN BREE

“KISS MY LIPS” feat. Princess Chelsea

Lil Chief Records

“Kiss my Lips” is the third single from Jonathan Bree’s forthcoming album, After The Curtains Close.

This is the first time Bree has featured a guest vocalist: long-time collaborator Princess Chelsea on lead vocals.

“Kiss My Lips” is a ‘60s-style pop song that’s darker around the edges than it seems. Its music video was shot during the famed “You’re So Cool” shoot (for his breakthrough viral hit, which currently has over 15 million views on YouTube) and has been hidden away in a time capsule since 2017.

Jonathan Bree is a musician from New Zealand, known for melodic compositions where he croons about modern life and love, over string parts that slide precariously between notes and dulcitone chimes. The end result is a musical palette one could describe as dark Disney.

His live shows have also gained him a cult following as he tours extensively across the world. Masked band members in pioneering clothing are set against a backdrop of cinematic projections created specifically for each song. Unusual for an indie act, he also has two dancers who perform other-worldly choreographed routines along with the music.

After “You’re So Cool” went viral, many likely assumed Jonathan Bree was a new artist. He began writing his own songs at age 9 and performed live as a drummer in his cousin’s band until age 13. This was interrupted after being sent to live in Australia with his father, who was an aspiring cult leader. Bree subsequently left home and independently navigated his teenage years.

When Bree returned to New Zealand, he formed The Brunettes, who in their active years toured the world and released music through Sub Pop Records and Bree’s own label, Lil Chief Records. The frustrations of trying to take this traditional route to success saw him take a long break from releasing his own music. In the interim, he happened to produce the song “The Cigarette Duet” for Princess Chelsea (in 2011) and directed its video which has since surpassed 47 million views.

He began releasing music as a solo artist in 2013. After The Curtains Close will be Jonathan Bree’s fourth full-length solo effort, due out via Lil’ Chief Records later this year.

RIYL: Princess Chelsea, The Brunettes, Ruby Suns, Lawrence Arabia,
Anthonie Tonnon, Lee Hazlewood, Serge Gainsbourg, Scott Walker,
The Magnetic Fields, Casket Girls

Start With: 1 (it’s only one track)                

FCC CLEAN

Contact me for a download link if you’re a radio rep!

https://www.instagram.com/jonathanbree666/

https://www.facebook.com/jonathanbree666

http://www.lilchiefrecords.com/

Two new tracks by JONATHAN BREE are at Top 200 Radio Now!!!

If you have any knowledge of New Zealand pop music (a subject in which I’m proud to have a small amount of professional expertise), you might recognize Jonathan Bree as former bandleader of cute ’00s twee popsters The Brunettes, or label head of influential NZ label Lil Chief Records. He also has been known to play with Princess Chelsea. My history with this guy goes way back and spans many of these United States: I first saw the Brunettes play in North Carolina when they were on tour with the Shins back in the dark ages of 2005, and then we actually became friends a few years later when I lived in New York and they happened to be passing through there. Princess Chelsea needed some help booking a NY show and getting a US working visa and I was thrilled to be able to help out with that: that became my very first ever “Band Mom Presents” live show in 2011, which even had the poster designed by a pal who was a music director at the time! Anyway fast fwd a bit and Jonathan is 3+ albums deep on a solo career; I last caught him in Austin at SXSW this year, which is when I first encountered his most recent stage show: it involves solid white spandex masks and pioneer-woman-styled backup dancers with complex choreography. He’s still on that tip with these two newest tracks. I would say his present-day music is best described as Magnetic Fields meets Casket Girls. You have to check it out, it’s really amazing.

To decode the title here, which is formatted in NACC’s preferred style: it’s two songs packaged together as a single; the lead, because it’s the newer release, is “Cover Your Eyes”, and the B-side is “Waiting on the Moment”, which has technically been released since September but I bet you haven’t been playing it since nobody was working it to radio (until now). In my opinion “Waiting on the Moment” is clearly the more radio-friendly, pop-oriented track, but “Cover Your Eyes” is newer and it’s also not radio UNfriendly, so you make your own decision here. It’s only two tracks. You can listen to them both, and you can play either or both, in any order. They even both have pretty striking videos, if you’d rather first check ’em out that way: here’s the video for “Cover Your Eyes”, and here’s “Waiting on the Moment”. Then make sure to grab the download so you can add it for your station; no hard copies exist of this one, it is download only. And this really is a standalone (double) single; there will be a full album eventually, like SOMEday, but its release won’t be happening until this upcoming April at the earliest, it’s not even finished being recorded yet, and no promises that these particular tracks will be on it, so this is not a lead-in to an album campaign but rather just a full-on single campaign, not like a trick or a tease, this is the full event. Don’t miss it!!

JONATHAN BREE

“COVER YOUR EYES” b/w “WAITING ON THE MOMENT”

Lil Chief Records

Jonathan Bree is a musician from New Zealand, known for melodic compositions where he croons about modern life and love, over string parts that slide precariously between notes and dulcitone chimes. The end result is a musical palette one could describe as dark Disney. These elements are present in his breakthrough viral hit, “You’re So Cool,” which currently has over 12 million views on YouTube.

His live shows have also gained him a cult following across the world. Masked band members in pioneering clothing are set against a backdrop of cinematic projections created specifically for each song. Unusual for an indie act, he also has two dancers who perform other-worldly choreographed routines along with the music. These performances have seen Jonathan Bree tour extensively across the globe.

After “You’re So Cool” went viral, many likely assumed Jonathan Bree was a new artist. He began writing his own songs at age 9 and performed live as a drummer in his cousin’s band until age 13. This was interrupted after being sent to live in Australia with his father, who was an aspiring cult leader. Bree subsequently left home and independently navigated his teenage years.

When Bree returned to New Zealand, he formed The Brunettes, who in their active years toured the world and released music through Sub Pop Records and Bree’s own label, Lil Chief Records. The frustrations of trying to take this traditional route to success saw him take a long break from releasing his own music. In the interim, he happened to produce the song “The Cigarette Duet” for Princess Chelsea (in 2011) and directed its video which has since surpassed 47 million views.

When he finally returned to releasing his own music it was as a solo artist with the album The Primrose Path (2013). His only promotion for it was uploading to YouTube an album length video of himself watching shows on his laptop in bed accompanied by his girlfriend and cat.

Bree’s second album A Little Night Music (2015) saw him embrace a more cinematic approach, while retaining strong melodies and hooks. Nonetheless, it is his least pop-focused album to date and leans more heavily on classical soundscapes – Nick Cave meets the Nutcracker Suite. It was during this album campaign that Bree first introduced the concept of his period piece masked band. The debut single/video “Weird Hardcore” (2014) featured his musicians appearing as if within a skewed timeline, think Amadeus meets The Old Grey Whistle Test. It’s rumoured that around this time Jonathan acquired a time machine…

In the lead-up to his third album, Sleepwalking, he released his viral single and music video for “You’re So Cool”, which was named Time Out New York’s Video of the Year. Sleepwalking (2018) has a heavy orchestrated element featuring real strings, horns, celeste and soprano vocals. His arrangements draw distinct influence from orchestral pop of a bygone era (think Lee Hazlewood & Nancy Sinatra), but many of the songs dip in and out of the avant-garde in a way that is also distinctly modern.

In 2019, Bree released “Waiting on the Moment” – the first single from his forthcoming album due for release in April 2020. The track is a break-up song you can dance to. It expresses the pain of revisiting places where a love you once knew had significance. In this case a karaoke bar. Rather than presented within a tearjerker ballad, the music gives another angle: one of celebration. There is an optimism in moving on, confronting and acting on your sense of loss. Many of Bree’s signature sounds are present – bendy strings, clicky bass, dulcitone and arpeggiated synth, but it’s perhaps his most pop focused track to date.

Bree’s next single, “Cover Your Eyes”,’ is about the escapism of gaming. Set in a hypothetical authoritarian society where the rules of social engagement and expression are so monitored and repressive that the only sense of freedom is to be found within a game. “Cover Your Eyes” releases on November 15th, 2019.

RIYL: Princess Chelsea, The Brunettes, Ruby Suns, Lawrence Arabia,
Anthonie Tonnon, Lee Hazlewood, Serge Gainsbourg, Scott Walker,
The Magnetic Fields, Casket Girls

Start With: 1, 2 (it’s only two tracks and their order doesn’t matter)                

FCC CLEAN

Contact me for a download link if you’re a radio rep!

https://www.instagram.com/jonathanbree666/

https://www.facebook.com/jonathanbree666

http://www.lilchiefrecords.com/

NEGATIVLAND – TRUE FALSE is at Top 200 and Electronic Radio Now!!!

If you’ve been around a bit, you know this band. Negativland have been around since the 80s! They are known as pioneers of the art of sound collage, specifically a version of mashups they call “culture jamming“!!! Their work is taught in college classes!! They have a Wikipedia page!! (Strongly suggest a deep dive into that page if you’ve got time and this is a new subject to you; there is some WILD stuff in there…like the time they got sued by U2, or the time where they successfully spread a hoax regarding a mass murderer.) They are truly some OG anti-establishment radical punks. And this release has already gotten press from BrooklynVegan and Popmatters and The Wire!! How did I wind up working an album that’s admittedly fairly unlike my usual, you may ask? Well I helped out with a campaign for an album of theirs when I worked at a different company a hair over a decade ago, and they remembered me and called me up, that’s how!! Lucky me!!! Anyway this album is this weird conglomeration of mashed up spoken word, chopped-and-screwed music, and some original instrumentation/vox, so as you can imagine it’s a bit of a genre bender. It is shooting for your Top 30s (the general charts that get compiled into the Top 200), and it is also shooting for your Electronic charts, where it hopes to find a home among some of your more experimental/open-minded but still dance-oriented DJs. Quite a few of you (college/non-comm radio stations) did get hard copies, so look around if you haven’t spotted it yet, or you can ask me for a download link!

NEGATIVLAND

TRUE FALSE

Seeland

Since 1980, the 4 or 5 or 6 (or more) Floptops known as Negativland, a multimedia collective originally from the San Francisco Bay Area, have been creating records, CDs, video, fine art, books, radio and live performance using appropriated sounds, images, objects, and text. Mixing original materials and original music with things taken from corporately owned mass culture and the world around them, Negativland surreally re-arrange these found bits and pieces to make them say and suggest things that they never intended to. In doing this kind of cultural archaeology and “culture jamming” (a term they coined way back in 1984), Negativland have been sued twice for copyright infringement.

Over the years Negativland’s “illegal” collage and appropriation-based audio and visual works have touched on many things – pranks, media hoaxes, advertising, media literacy, religion, death, the evolving art of collage, the bizarre banality of suburban existence, creative activism in our media-saturated and multi-national world, file sharing, intellectual property issues, wacky surrealism, evolving notions of art and ownership and law in a digital age, and artistic and humorous observations of mass media and mass culture.

And what is True FalseTrue False is their 13th studio album and Negativland’s 2019 return to all original music that you could mistake for actual songs, albeit ones being sung by dozens of sampled vocalists who have never met. The first of two interconnected double albums, “True False” tackles concerns that will be familiar to any surviving fans of the band:  our nervous systems, our realities, and the evolving forms of media that inevitably insert themselves between us. Shootings, bees, the right’s rules for radicals, climate control, dogs pretending to be children, the oil we eat, capitalism, and the right of every American to believe whatever they want to believe ….all are explored.  It’s the first Negativland album to come with a lyric sheet, and is a reminder that we need more than just one memory before we can safely tell anyone else that this is not normal. Juxtaposing Occupy mic checks with US militia rallies, FOX news hosts and ecoterrorists, and your own sanity with the home viewing habits of Negativland’s lead vocalist, the Weatherman, as we witness the entrenched political beliefs of left and right cleanly switching sides in under one generation, when you put the word ‘True’ next to the word ‘False’, a broader reality reveals itself.

And, finally, just who’s even in Negativland these days? Didn’t half of them die a few years ago?  For True False, Negativland consists of Mark Hosler, David Wills, Peter Conheim, and Jon Leidecker, as well as the dearly departed Don Joyce, Richard Lyons and Ian Allen. Containing tapes from the earliest years of the band (including dozens of samples that will be very familiar to regular listeners of their KPFA radio program Over The Edge), work on True False began in earnest in 2012, folding the decades on top of each other until they finally resembled all the of feelings that tomorrow has for today.

“Declared heroic by their peers for refashioning culture into what the group considers to be more honest statements, Negativland suggests that refusing to be original, in the traditional sense, is the only way to make art that has any depth within commodity capitalism”- NEW YORK TIMES

“Collage pioneers…..genre-defying, densely layered, strangely accessible” – WASHINGTON POST

“Negativland were definitely not what the EDM kids at Bumbershoot were expecting. The experimental San Francisco sound collagists don’t make music as much as sonic mayhem: audio think pieces that are subversive and enlightening, vexing and revelatory.  Negativland are political to the core.” – SEATTLE WEEKLY

RIYL: Girl Talk, People Like Us, Matmos, Yes Men, The Residents, Plunderphonics, Mouse On Mars, Faust, and culture jamming / sound collage

Start With: 3, 4, 10                  

FCC: *6*; also  2, 4, & 11 say “Goddamn” (only)

Contact me for a download link if you’re a radio rep!

https://www.negativlandtruefalse.com/about

https://www.facebook.com/Negativlandland/

https://www.instagram.com/negativlandland/

GÜERO BROWN – GÜERO BROWN is at Top 200 Radio Now!!

Güero Brown is a classic-rock-leaning singer-songwriter (think Van Morrison or Jackson Browne for classic influences or Ty Segall for a contemporary) based in Seattle who I met through some mutual friends last fall. His name is in reference to the fact that he spent a lot of time (and wrote a lot of these songs) traveling/living in Latin America. A cool record which I was able to send a pretty good number of hard copies out to stations of – make sure to check it out! (A note: he spells his name with those umlauts, because that is how that word is spelled – GÜERO BROWN – and would appreciate you spelling it that way on playlists and public-facing stuff as often as possible, but NACC does not recognize special characters like that, so just use the regular non-accented letters for NACC charts: GUERO BROWN.)

GÜERO BROWN

GÜERO BROWN

Self-Released

A Michigan native now based in Seattle, Güero Brown is an independent musician and graduate of Western Michigan University, where he studied foreign languages and audio engineering. Travel and literature have played a significant role in Güero’s artistic development and musical taste, including a particularly enduring love for Jack Kerouac’s On the Road. After a period of years based in West Michigan, Güero took time away from music in 2014 to live in Latin America and find new inspirations. In early 2017, Güero returned to the studio to record new music that was later eventually released as this self-titled album. Many of the songs on Güero Brown were written in the Southern Hemisphere and feature contributions from various talented collaborators in different parts of the United States.

Anyone who’s ever had to deal with cancer, directly or indirectly, may find some solace in “Sunny Days.” That track was written after Güero dealt with cancer-releated deaths of two people in his life in quick succession. It also features contributions from Joe Ayoub (touring bassist for Shakira and Enrique Iglesias and current house bassist on American Idol) and Brett Farkas (who has toured and recorded with the likes of Aimee Mann, Lord Huron, Solomon Burke, Rihanna, and Princess with actress Maya Rudolph).

RIYL: Tom Petty, Neil Young, Jackson Browne, Elvis Costello, Ty Segall, Lou Reed, Van Morrison, Teenage Fanclub, Shout Out Louds, Bruce Springsteen

Start With: 2, 4, 1, 8                  

FCC: 2 says “bollocks to the Man”, 6 says “son of a bitch”, otherwise CLEAN

Contact me for a download link if you’re a radio rep!

www.guerobrown.com
guerobrown.bandcamp.com
https://www.facebook.com/LeGueroBrown/
https://www.instagram.com/le_guero_brown/

THE BAND MOM is TEN!!!

CAN YOU BELIEVE IT: today is The Band Mom’s TEN YEAR ANNIVERSARY!!

I’ll never forget to be grateful to Chuck Meyer and Dana Young for pushing me into really going for it in a pivotal moment – their Hidden People “Hormones” EP was my very first add, beginning its campaign for the CMJ charts ten years ago now to the day. (RIP [kinda] CMJ. And this band’s main website was a MYSPACE! Told you it was ten years ago.)

To bookend this decade with possibly even too fine a point to feel real, I got this email from a beloved client literally yesterday. Feels great to have that kinda thing to show for myself! That’s what it’s all about, maaaaan.

My life would be totally different without The Band Mom and college radio in general. Besides it accounting for a majority (if sometimes by a slim margin) of my income & work time over this past decade, it’s a deeply embedded and inextricable part of my social life as well. Over the first 5 years of this company’s life in Brooklyn then these most recent 5 in Seattle, I’ve had 3 different roommates who were former music directors, and 3 others that I met as a direct result of this work. My accountant is a former MD. My computer just broke down this week and a former MD sent me her old one as a replacement! A huge majority of my closest friends have been radio folks (music directors, artists who’ve been clients, competitors/colleagues, and people I’ve met second- or third-degree through all the above). They’ve helped me move; I’ve been to their weddings and birthday parties and met their kids and pets. I’ve been lucky enough to do a fair amount of traveling throughout North America over this decade, and gotten to visit with radio friends in Austin, Chicago, Cleveland, Dallas, San Antonio, Nashville, Montreal, Portland, Detroit, Philadelphia, Raleigh, Los Angeles, Harrisonburg VA, Lincoln NE, Boulder CO, Lexington KY, Seattle and NYC (before and after those were my homes) and probably a bunch of other places I’m not even thinking of. Where would I be without the people I know because of The Band Mom?! I can’t even guess. Surviving financially hasn’t always been easy (could you guess that freelance work in college radio promotion isn’t the most lucrative profession? I’m also eternally grateful to all my employers at my various side gigs over the years which have helped me stay afloat! And actually most of those other gigs can be traced back to an original introduction via someone I knew through college radio, as well. And I’ve been thrilled to help many radio friends get jobs and gigs too!) – but I’m so much richer for it. It’s an essential part, maybe the biggest part, of who I am.

Although “The Band Mom” as an official entity has always been only me, it would be an obscene lie to claim I did this decade by myself. Thank you so much to all the bands who’ve trusted me with their precious creative work and their hard-earned cash, the stations who’ve played my releases and spent time chatting with me on the phone or via emails, the venues who’ve let me host Band Mom Presents live shows, the professional organizations who’ve put me on panels/interviewed me/nominated me for awards, the friends who’ve helped me stuff thousands of CDs and onesheets into envelopes on countless late nights, Tyrel (of Band Mom band the Terrordactyls) who helped me design this website and made my logo, and anyone else who’s lent a helping hand or a listening ear along the way. I also want to say thank you here to my parents, who raised me to believe I was powerful and deserved to follow my dreams, and empowered me to take risks and pursue career satisfaction over more traditional forms of work/life security, even when they might not have understood exactly what I was doing or why it felt important to me to do it, and have always been there to celebrate my achievements with me along the way. You folks are all why I can continue to do what I love for a living, and I am never not grateful.

I might as well mention: if you’ve got new music coming out in the next few months and you’re thinking of sending it out to radio, I’d love to talk! Drop me a line at jenn (at) thebandmom.com . Word on the street is I’m pretty good!