My Top Stuff of 2013

Ha ha ha. Remember 2013?? I know it basically feels like a distant ancient memory at this point, but I just finished my reckoning with it! I spent the end-of-the-year time, which is normally a lull where I do this sort of accounting, in a move across the country and then the last couple months setting up shop in my new home in Seattle, so I was too distracted til now to really get this done, but still, it’s become a tradition for me to get this out there and I’ll be durned if I’m not gonna finish it this time! I realize doing it this late means almost nobody could possibly care, but I do like to be able to fit in viewings of as many movies as possible before making my big judgments, and maybe putting it up right after the Oscars will get some people interested in some worthwhile alternatives the Academy didn’t consider…and anyway I’m mostly just doing this for myself anyway, to make me feel like I’ve been doing something worthwhile and memorable with my time and sort it into a digestible time capsule, and to have something to show for myself around here.

2013 was a hard year, maybe the worst of my life in a lot of ways, but neither I nor even anyone I’m really close to died, and a lot of people I love were really there for me all year long, so honestly it wouldn’t be fair to complain. And things are already looking way up in 2014!

I still managed to have quite a bit of fun in the year, as you’re about to see below. I took trips to Ohio, Pittsburgh, the Hudson Valley, and Austin/SXSW/San Antonio, and then the one really major road trip with a Penske truck and my friend Jenny, where we made some really memorable stops in Ohio, Wisconsin, Nebraska, Colorado, Idaho and Oregon before finally settling in Seattle.

For most of 2013, the two fun part-time jobs I’d been working continued, as well as adding in a new nearby venue gig near the end of the year (in addition to my Band Mom radio promo), which you’ll again see reflected pretty heavily when we get down to my Top Shows lists, much as they were in my Top Stuff of 2012 and 2011 and actually also 2010 and 2009, before I even worked at those venues. I’m maintaining the rule that Band Mom Bands are ineligible for the Top Albums list because I couldn’t possibly rank them against each other, but that I can’t rule out shows where I worked the door or stage managed for my Top Shows lists, because then there would be almost no shows to consider.

As always, I never claim stuff on this list is the ‘best’ of the year. Art is impossible to grade on an objective scale, and it’s insulting and ugly to posture as though one could do so. These are just my favorites:

top 15 albums (or EPs) of 2013:

  1. phosphorescent – muchacho

  2. the national – trouble will find me

  3. tegan and sara – heartthrob

  4. grand hallway – horses

  5. mansions – doom loop

  6. thao & the get down stay down – we the common
  7. casiotone for the painfully alone – in cambridge
  8. mutual benefit – love’s crushing diamond
  9. the blow – the blow
  10. colleen green – sock it to me
  11. youth lagoon – wondrous bughouse
  12. yo la tengo – fade
  13. mikal cronin – MCII
  14. kurt vile – walkin on a pretty daze
  15. the ruby suns – christopher

I kept my Top Albums list to a reasonable number this year because I listened to my 9 Band Mom albums plus the ones that made the cut above a TON, then there were like 100 more that I listened to just a little bit, so the list was gonna be either 100 or 15. This time I went with 15, but I can’t promise next year won’t be another 2010. As mentioned and as always, Band Mom artists are ineligible for this list because I wouldn’t even begin to know how to rank them: this means you, dc pierson (songs for crap kingdom comp), the hairs, eternal fair, mal blum, tie these hands, tereu tereu, spirits of the red city, cumulus and the fold. That’s artists (and their curators) from Brooklyn, Seattle, Lincoln NE, DC, Chicago, LA, Denver and a few other decentralized exotic locations. You all released FANTASTIC albums that are tied for number one in my heart, and I love you the most.

top 15 shows (concerts):

  1. the postal service w/mates of state @ barclays center (brooklyn ny, june)

  2. phosphorescent w/strand of oaks @ bowery ballroom (manhattan ny, bowery)
  3. the mountain goats w/baptist generals @ maxwells (hoboken nj, june)
  4. cumulus w/the lonely forest @ mercury lounge (manhattan ny, october)
  5. dean wareham @ bell house (brooklyn ny, november)
  6. shout out louds, telekinesis, mount moriah, mikal cronin [merge records sxsw showcase] @ the parish (austin tx, march)
  7. califone w/richard buckner @ littlefield (brooklyn ny, may)
  8. advance base @ silent barn (brooklyn ny, august)
  9. dana falconberry w/paperbird @ mercury lounge (manhattan ny, may)
  10. chuck ragan, jenny owen youngs, rocky votolato @ bell house (brooklyn ny, march)
  11. hi ho silver oh [sxsw] @ dogwood (austin tx, march)
  12. grand hallway @ pete’s candy store (brooklyn ny, october)
  13. jonathan richman w/tommy larkins @ bell house (brooklyn ny, february)
  14. youth lagoon w/magical cloudz @ bell house (brooklyn ny, may)
  15. the breeders @ bell house (brooklyn ny, march)

aw, I miss working at venues (looking for one in Seattle to call home if you know anybody!). I’d also like to mention my one Band Mom Presents show at Union Hall of the year, which I’m not allowing to count but which was a real highlight of my year nonetheless: that was 3/1 with Good Field, Ramesh (formerly of Voxtrot) and Matt Bauer, and also the tour I helped promote that included a totally excellent Pete’s Candy Store stop with Anthonie Tonnon.

top 50 movies:

  1. upstream color

  2. fruitvale station
  3. her
  4. the east
  5. 12 years a slave
  6. kill your darlings
  7. the place beyond the pines
  8. the great gatsby
  9. inside llewyn davis
  10. in a world…
  11. stoker
  12. short term 12
  13. frances ha
  14. stories we tell
  15. the world’s end
  16. nebraska
  17. crystal fairy
  18. much ado about nothing
  19. before midnight
  20. this is the end
  21. monsters university
  22. spring breakers
  23. the act of killing
  24. wadjda
  25. the square
  26. touchy feely
  27. drinking buddies
  28. the kings of summer
  29. the grandmaster
  30. all is lost
  31. dirty wars
  32. as I lay dying
  33. the wind rises
  34. the hunt
  35. dallas buyers club
  36. the reluctant fundamentalist
  37. cutie and the boxer
  38. the spectacular now
  39. it’s a disaster
  40. magic magic
  41. blue is the warmest color
  42. blackfish
  43. oldboy
  44. side effects
  45. the way, way back
  46. girl most likely
  47. ain’t them bodies saints
  48. gravity
  49. the heat
  50. philomena

honorable mentions (roughly in order; this whole list was initially a numbered top 100+ until I considered how ridiculous that is. but FYI I feel EXTRA strongly this time about the top 35 of the above list, but strongly enough about all of these to mention ’em. I did see 52 other 2013 movies that didn’t make any list at all!):

v/h/s/2, the hobbit: the desolation of smaug, good ol’ freda, prince avalanche, warm bodies, prisoners, 20 feet from stardom, the broken circle breakdown, elysium, black rock, the hunger games: catching fire, august: osage county, we steal secrets: the story of wikileaks, the secret life of walter mitty, trance, blue jasmine, lone survivor, enough said, closed circuit, a band called death, the wolf of wall street, the great beauty, mandela: long walk to freedom, don jon, the family, mother of george, thanks for sharing, anchorman 2: the legend continues, about time, all is bright, the punk singer, frozen, the armstrong lie, rush, europa report, hell baby, mud, no, to the wonder, how i live now, best man down, austenland, only god forgives, identity thief, berberian sound studio, bling ring, the to do list, evil dead, you’re next, room 237, una noche, escape from tomorrow, computer chess, mr. nobody, passion, rapture-palooza, the wall (die wand), A.C.O.D., this is martin bonner, behind the candelabra, the inevitable defeat of mister and pete, thor: the dark world, a single shot, coffee town, family weekend, john dies at the end, man of steel, now you see me, carrie, wrong cops, pussy riot: a punk prayer, i’m so excited!, i give it a year, byzantium, the iceman, world war z, big sur, admission, the sapphires, the fifth estate, winnie mandela, despicable me 2, the conjuring, diana, the internship, ass backwards, museum hours, captain phillips, syrup, the lifeguard, upside down, somebody up there likes me, something in the air.

top NEW actors of the year (as in i’d never heard their names before/hadn’t noticed them in anything and now they seem like a big deal to me, were each in several things i loved): riz ahmed (the reluctant fundamentalist, closed circuit), brie larson (short term 12, the spectacular now, don jon, and a couple episodes of community) & moises arias (kings of summer, plus a particularly memorable performance in the otherwise-bad ender’s game)

standout actors of the year (who were not new to me, but were in a bunch of stuff i loved and seemed to have a really big year): lake bell, clark gregg, daniel brühl, olivia wilde, & rob corddry.

also as an aside, a few years ago I made up a ‘best sound design‘ category because I felt so strongly about black swan’s and then we need to talk about kevin’s, and was mad that they were slighted in oscar nominations, and this year I feel the same way about the sound in UPSTREAM COLOR.

oh and here’s a new category i got excited about creating this year: best use of a pop song in a movie. i was really knocked over by the use of moby’s “the day” in danny boyle’s trance, and also grand hallway’s “horses” in lynn shelton’s touchy feely, and i wanted to tell you about it.

some stats notes on movies: in 2013 i saw 263 different movies. exactly 100 of them were in theaters, and to date i’ve seen 197 movies that came out in 2013 (that’s 80 more than last year! although I’m also publishing this almost 2 weeks later than last year. this includes several that i watched after the year ended, so they’ll be among the total i will report having watched in 2014, but they’re also part of the group of 2013 movies i’m counting as eligible for this best-of list).

as for movies with questionable release dates, the rule i made up is basically that if i saw it in like a festival or limited-engagement special event in 2013, even if it didn’t get even limited national release otherwise, it counts for my list, but if i did not see it in a festival before 2013 and its first limited release (a usa release that’s not a specific festival, even if it showed in fests pre-2013) was this year, then it counts. in other words it’s pretty subjective to my perspective, but it had to have its (limited or wide) release begin in 2013 OR be seen by me in a festival or special event (i saw movies at NYFF and a few assorted micro fests, and in theaters and homes in New York, Seattle, and San Antonio…somehow missed out on movies at my mainstays SXSW, tribeca, and BAM cinema fest this year, boo) in 2013. (I did, however, participate in the New York Comedy Festival, Eugene Mirman Comedy Festival, Del Close Marathon, and comedy shows at SXSW, so I guess comedy beat movies fests-wise for me this year, much like 2012).

also of note, i saw 12 2013 movies in 3d (and only one in IMAX: pacific rim; i saw gravity in 3d but not IMAX, and the hobbit in 3d but not the HFR this time, regrettably). i continue to think 3d is a stupid cash grab that almost never adds to the film, but I suffer from pretty severe fear of missing out so i keep getting suckered in. the only one that was really worth it this year was gravity, although monster’s university and thor had their merits as well.

this is my longest movie list ever…there are just so many that I truly feel strongly about! also I saw more last year than any other year in my life, because of this service called Moviepass where I pay a monthly fee for nearly-unlimited movies so that it actually made financial sense to see MORE movies than less, and I was happy to oblige (mostly post-midnight screenings after work). Since I’m no longer in the movie theater mecca of NYC, I expect 2013 to be a lifetime peak, my high-water mark. (particularly sad to be leaving behind the greatest movie theater of all time, which I only just discovered this last year: the AMC Loews at 84th St.) But I also got paid for writing about movies last year for the first time ever, and intend to keep that up, so I do hope to continue to stay as engaged as possible here in the also-very-hip Seattle.

here’s what 1.92 trips to the movie theater a week (plus a few extraneous otherwise tix) looks like, btw:

although i obviously saw a ton of movies this year, you’ll always miss a few; there are a few that i still intend to see. Although i feel pretty good about the above list, really got pretty much all of the serious contenders in for once, these might have had a chance at making the above lists had i been able to catch them: ernest & celestine, the missing picture, omar (those are the only 3 of the 43 oscar-nominated features that haven’t been available to watch yet, so i haven’t!), the past, dear mr watterson, casting by, great expectations, grace of monaco, harry dean stanton: partly fiction, 47 ronin, out of the furnace, homefront, he’s way more famous than you, the last days on mars, the selfish giant, first cousin once removed, life according to sam, losing you, metro manila, sun don’t shine, the missing picture, let the fire burn, a river changes course, go for sisters, after tiller, gideon’s army, a touch of sin, gloria, afternoon delight, pit stop, my sister’s quinceañera, and the foxy merkins. pretty much everything else, if it had a theatrical release in 2013 and it’s not listed here, it’s on purpose. SO THERE.

saw filmmakers/actors in person promoting:

-crystal fairy (michael cera & director sebastián silva, IFC center, july 12)

-dazed and confused (20th anniversary screening at the NYFF, oct 10, with richard linklater, jason london, parker posey, and anthony rapp!!!!!)

-also went to my first-ever screening with a live cast of rocky horror picture show (chelsea bowtie cinema, formerly chelsea clearview, nov 27), and also a “shouting at the screen” showing of blaxploitation film Abby with wyatt cenac, donwill and matt braunger (indiescreen, on halloween) – those weren’t filmmaker screenings, obviously, but they were “event” film screenings.

my 25 favorite comedy or spoken-word shows I saw (top 2, by far):

-john hodgman’s secret society, at union hall throughout the year, and also the “secret secret society” in a catacombs 6/17

-mike birbiglia’s final performance of my girlfriend’s boyfriend, in addition to his union hall shows all year, @ carnegie hall 6/2

(the rest in chronological order, with some photographic evidence):

-the jukebox, one featuring victor varnado, james adomian, garth johnston, christian finnegan, and lizz winstead; the other featuring john hodgman singing ‘no children’ by the mountain goats @ union hall 2/19 and 3/19

-night job, hosted by katharine heller and dean haspiel, featuring angry bob, rev jen, and brooke van poppelen @ union hall 3/21

-marc maron @ union hall 4/14

-jen kirkman @ bell house 4/27

-the thrilling adventure hour, my favorite bell house show: Paul f Tompkins, John Hodgman, Paget Brewster, Mara Wilson, Marc Evan Jackson, Mark Gagliardi, Maria Thayer, Craig Cackowski, Jonathan Coulton, Scott Aukerman, Ira Glass, Scott Adsit, Rich Sommer & more @ bell house 5/11 and 10/11

-the interview show, podcast taping hosted by mark bazer, featuring chris mills, emily nussbaum, sam lipsyte, kathleen hanna @ union hall 5/16

-greg proops, podcast taping of ‘the smartest man in the world’ @ bell house 5/25

-going off track, podcast taping hosted by jonah bayer, steven smith and 2 others, featuring lyle preslar (minor threat), jenny owen youngs, chris gethard, frank iero (my chemical romance) @ union hall 6/8

-ask me another, npr show taping hosted by ophira eisenberg with jonathan coulton as the house band, featuring paul feig @ bell house 6/24

-nick thune, special ‘folk hero’ taping @ bell house 6/26

-heart of darkness ‘jaguar paw’, hosted by greg barris with house band the forgiveness, featuring dave hill and mind warrior heather berlin @ bell house 6/28

-mike birbiglia, eugene mirman, reggie watts and daniel kitson @ bell house 7/10

-low times, podcast taping hosted by tom scharpling, maggie serota and daniel ralston, featuring alan vega of suicide, the wrens, and craig finn @ union hall 10/5

-cheap date, hosted by sharron paul and calvin cole, featuring hari kondabolu, barry rothbart, skinny bitch jesus meeting, andrew short, kat burdick, eli sairs, and matt wayne @ union hall 10/8

-literary death match, featuring raj sivaraman, maris kreizman (of slaughterhouse 90210), iris smyles, and jason koo @ union hall 10/9

-simon amstell @ union hall 10/11-12

-running late, podcast tapings hosted by scott rogowsky, one featuring eugene mirman, demitri martin and grizz chapman, and the other featuring amber tamblyn and josh pais @ littlefield 10/23 and 12/18

-the grawlix, new york comedy fest show, featuring jonah ray, kate berlant, and sean patton @ union hall 11/8

-oh, hi, mark, a nycf show, featuring greg sestero (mark from the room!!!) @ union hall 11/9

-jenny slate’s new york comedy festival show featuring max silvestri, greg johnson and nick kroll @ littlefield 11/10

-night train’s 1-year anniversary show, hosted by wyatt cenac, featuring david cross, nikki glaser, ted leo, eugene mirman, seth herzog, kurt braunohler, michael che, andy wood, michelle buteau, and free daly pies @ littlefield 11/25

-geeking out, hosted by kerri doherty and leslie goshko, featuring steve heisler, the vigilante, and jason zimbler (ferguson from clarissa explains it all!!) @ union hall 12/3

-tom shillue’s funny story, my last comedy show as a new yorker, with joy behar and gavin mcinnes @ brooklyn brewery 12/19

Last year I included a separate category to list the podcasts/tapings I participated in or worked the door for, but it was just too much this year, so I rolled the highlights in above. My involvement with the New York comedy community is one of the biggest things I miss now that I’m gone, try not to forget me!

favorite new tv shows:

derek

house of cards

orange is the new black

brooklyn nine-nine

favorite non-new tv shows:

arrested development

parks and recreation

breaking bad

new girl

an idiot abroad

happy endings

bob’s burgers

misfits

community

adventure time with finn and jake

american horror story

downton abbey

mad men

girls

misfits

30 rock

archer

portlandia

luther

childrens hospital

eagleheart

the killing

the mindy project

it’s always sunny in philadelphia

(netflix really owned it in 2013! looking forward to justified, parenthood, boardwalk empire, house of lies, veep, shameless, bunk, comedy bang bang, enlightened, episodes, a young doctor’s notebook, hello ladies, masters of sex, peaky blinders, and true detective eventually joining this list…need more hours in the day)

and lastly, some stray cool stuff i did in 2013 that didn’t fit into any of the above categories:

-daniel kitson’s one-man theatrical production ‘analog.ue’ @ st ann’s warehouse

-‘once’ on broadway

-‘the unavoidable disappearance of tom durnin’, a play at the roundabout theatre company, followed by a q&a with stars rich sommer, david morse, and david denham

-michael shannon ‘in conversation’ during the new yorker festival, followed by a short performance also by his band, corporal

-an uncategorizable event put on by philip seymour hoffman’s theatre company, featuring performances by kevin corrigan and my composer roommate kenny jaworski plus a group-bonding exercise

-spent the 4th of july in gardiner ny, the hudson valley, on my first MetroNorth trip visiting my former roommate emily

-spent a fun summer day with some long-lost australian friends, including visiting the superhero supply store

-danced on the ucb’s stage with friends to springsteen during the del close marathon

-worked as a “location assistant” on several film & tv sets

-had a music video shot in my apartment

-i did also read at least 8 books, for the record, which is an improvement because i spent the last 3 previous years combined crawling my way through gravity’s rainbow

-i also had surgery 3 times, which super sucked, but my mom came to mommy me in brooklyn each time for several days, which was really wonderful. nothing in life is all just one thing.

And the bonus: i’ve used these posts in my last few years to brag about my favorite “celebrity encounters”, and this one was a tough call so i included a the photos with couple runners-up above. But this time, I’m going to bypass bragging about rubbing elbows with people like dan harmon, missi pyle, rich sommer, kathleen hanna, jd samson, travis morrison, al madrigal, gilbert gottfried, buzz aldrin, suzanne vega, jay pharaoh, thao nguyen, jonathan ames, judah friedlander, rhys darby, michael ian black, david wain, janeane garofalo, jason mantzoukas, zach woods, pat kiernan, amber tamblyn, grizz chapman, chris mcculloch/jackson publick, and everyone else listed above (see how I skipped it?), because a Life Highlight happened just before I moved away this year. At the end of the last Secret Society show I worked, john hodgman called me up onstage, to join him along with jonathan coulton, jean grae and john roderick. They kind of interviewed me about my move, and then sat me down in a hi-backed chair while they gathered around & got the whole audience (many of whom have genuinely become friends through this show) to join in singing Auld Lang Syne. It’s difficult (and in violation of a solemn oath I swore) to even express how special the Secret Society was to me throughout the year, and to get that kind of send-off to tell me I’ve been special to them as well is really something to be treasured. Also I cried onstage at my workplace.

THE END! I love you.

THE FOLD is at Top 200 Radio NOW!!

My last big priority of the year is kind of an outlier in Band Mom genre terms: they’re a totally fun power pop band with roots in Tooth & Nail Records, which I suspect will mean something really specific to many of you and nothing at all to others. But what you may not know about me is that I ALSO have similar roots: my first internship (in high school!) was with Relient K‘s record label (Gotee Records). I once traveled 5 hours to South Carolina during college to see Mae play with The Format, and once I got into a sold out show in Australia on Anberlin‘s guest list. I worked for Lovedrug‘s management company and spent late nights at Waffle Houses with Brandtson, House of Heroes and The Rocket Summer. If these names are ringing bells, this is a band for you FOR SURE. And if they’re not—take a chance! You might still like it! It’s super hooky pop music, the type that could (and has) fit in on Warped Tours but still most likely won’t make your mom mad, unless she gets mad at tattoos and haircuts (they’re not angry, whiny or depressed. Just fun!).

THE FOLD

MOVING PAST

Self-Released

The fun-loving Chicago power pop band The Fold returns with new full-length LP Moving Past: a spirited call to embrace the future and to enjoy the journey. The Fold is melodic, catchy, humorous and entertaining but this new album adds a layer of lyrical maturity and infectious optimism. “Personally, I don’t see the point of picking up an instrument if what I’m saying doesn’t have a bigger purpose, a meaning,” lead singer Dan Castady explains. “When I look back on the songs of this album, each lyric, each note, each thought is straight from my heart…It wasn’t easy to expose it to the world, but I did it in an effort to make a meaningful connection to our listeners”.

Founding members Dan Castady (vocals), Matt Pittman (bass), George Castady (guitar), and Mark Rhodes (drums), in true DIY style, self-produced Moving Past and recorded at Chicago’s Groovemaster Recording Studios, using previous collaborator JR McNeely (MXPX, Paramore) to mix. Two singles from the LP, the upbeat “Moving Past” and heartfelt “Bye Bye Love”, will have video releases. An upcoming tour in support of Moving Past will be announced soon.

The Fold got their first break in 2006 when they signed a record deal with Tooth & Nail Records. But the journey didn’t stop there: their achievements include high profile tours with VANS Warped tours and Plain White T’s, a Grammy nomination in 2007 for their Secrets Keep You Sick album artwork, nearly 4 million views on their YouTube channel, as well as writing the theme songs for all 32 teams in the NFL, with featured theme songs in 2012 for Denver Broncos, LEGO Ninjago, Chicago Cubs, Tampa Bay Buccaneers and Carolina Panthers.

In a testament to The Fold’s great fan base, Moving Past, their second independent release, is fully fan-funded. In keeping with the album title’s theme (and the band’s keen sense of having fun), an all-ages album release party and video shoot will be held at the Orbit Skate Center in Chicago on November 3, 2013. The band plans to set-up in the middle of the rink and allow the skaters to circle them while performing. This is a band that cannot be stopped…and why would anyone want to?

 

RIYL: Mae, Anberlin, Fun., Jimmy Eat World

Start With: 7, 4, 10, 3     FCC CLEAN


Here’s a really nice video the band just released for “Bye Bye Love”, which was written by lead singer Dan about his daughter (awww):

 

Contact me for a download link if you’re a radio rep!

http://www.thefoldrock.com/

https://www.facebook.com/thefold

http://www.youtube.com/thefoldmusic

  

CUMULUS is KILLING IT at Top 200 Radio!!!!

GUESS WHAT!! Cumulus is already my most successful radio campaign of the year, and it’s only in Week 3. There are so many reasons to love the Seattle band Cumulus, not the least of which is that they make completely delightful hooky-but-deep swirly ladyfronted pop music that was so good Chris Walla decided he needed to release it on his Trans– label. They just got off a humongo nationwide tour with their labelmates The Lonely Forest, which I had the privilege of catching at the Mercury Lounge in NYC, and now they are TEARING IT UP on the CMJ charts. On their Add date, 11/5, the album tied for #5 Most Added, and this past week it already made its debut at #98 on the Top 200. This week we’re gonna shoot for Top 50. Pretty sure we’re gonna crush that. I’m co-promoting this one with my friends at the Syndicate, so not only is this an album you’re just going to want to play the crap out of because of how great it is, it’s also an easy way to make two promoters happy at once by pushing it up yr charts!! YEAH!!!

CUMULUS

I NEVER MEANT IT TO BE LIKE THIS

Trans-Records

Cumulus’s songs are a study in juxtapositions: delicate but powerful, specific but universal, naïve but knowing, and above all personal despite being steeped in the classic pop themes—love, loss, youth, wonder, disappointment, joy.

Trans- (Chris Walla‘s record label) releases Cumulus’ debut full-length, I Never Meant It To Be Like This, this autumn. The album, produced by the band at Phil Elverum‘s studio The Unknown in Anacortes, WA, is what Spin has called “an elegant, understated work of deftly flickering guitar pop,” and “a comforting rainy-day blanket.” We prefer to think of the record as a masterpiece in miniature—ten songs of expansive, explosive indie pop at whose epicenter are the indelible melodies and haunting twilight voice of singer/guitarist/songwriter Alexandra Niedzialkowski.

For reference: I Never Meant It To Be Like This places Cumulus squarely alongside contemporary acts like Best Coast, The Dum Dum Girls, and Tennis, while reaching back to a not-so-distant golden age of indie pop when good bands had hits, and the knack for wide-readership hooks (Elastica, Veruca Salt, Juliana Hatfield) and loud guitars (Yo La Tengo, My Bloody Valentine‘s first album) didn’t preclude a heroic dose of delicacy (Heavenly, the Delgados, Velocity Girl, Tiger Trap). All of which is to say you could almost mistake Cumulus— who appear, let’s face it, pretty adorable—for twee if they didn’t rock so commandingly.

 

RIYL: Tennis, Best Coast, The Dum Dum Girls, Tiger Trap

Start With: 3, 1, 6, 2     FCC CLEAN


Here is a fantastic video from the summer for their first single, “Do You Remember”. Their next video, for “Hey Love”, will debut through KEXP this coming Friday (11/22):

 

Contact me for a download link if you’re a radio rep!

http://www.cumulusband.com/

https://www.facebook.com/cumulus.music

http://cumulus.bandcamp.com/

http://cumulusband.tumblr.com/

SPIRITS OF THE RED CITY – JULA going for Top 200 ADDS NOW!!

Oh my goodness. This band is breathtaking. I can’t wait for you to hear (and also SEE! The packaging is gorgeous and handmade!) this record. It’s delicate, sensitive, complicated, beautiful folky music. They’re the kind of band I would have gladly spent years pursuing, but they happened to kind of just drop into my lap, when a pal who’s in The Lumineers introduced me to one of Spirits’ label’s owners, Macon Terry, who is incidentally also in the wonderful band Paper Bird. Also they had their tour kick-off show intersect with that other awesome tour I’m promoting, with Shenandoah Davis and Anthonie Tonnon, which is some pretty sweet serendipity but not entirely coincidence (these are worlds that overlap pretty heavily for sure). Oh and that bit about the Lumineers connection wasn’t just name-dropping; they’re a good reference point to tell you what kind of thing we’re in for here. As I once heard somebody put it: “Lumineers’ music is like starting on the journey, going up the mountain, but Spirits’ music is like after the journey, sitting around the campfire at the end of the night.” INTRIGUED?! READ ON!!!

SPIRITS OF THE RED CITY

JULA

Collectible Records

Spirits of the Red City present their sophomore LP, Jula.

Jula marks a first release for Denver label Collectible Records. Recorded by Kevin Ratterman in his Louisville studio La La Land, the album is the long-awaited follow-up LP to 2009’s Hunter Moon, which was lauded for its “airy intimacy and elegance… wistful themes and relatively spare orchestrations [and its] honesty and passion” (Robin Hilton, NPR’s All Songs Considered).

Where Hunter Moon excelled in showcasing the band’s unusual arrangements, Jula truly exceeds. With their signature combination of classical strings, experimental jazz percussion, and an arsenal of roots/folk instruments, Spirits of the Red City have created a rare sense of space. With sparing but deliberate use of their full lineup, they craft a sound that never seems either bare or overwhelming. And whether in calm croon, lilting lament, or yelling in desperation, songwriter Will Garrison maintains a breathless intensity that supports his humble, honest and intelligent poetry.

Though nearly all the members of Spirits of the Red City have at one time called Minneapolis their home, in the years since Hunter Moon‘s release all but Garrison have dispersed – to Alaska, California, Colorado, Michigan, and New York. Despite their geographic disparity, they have devotedly toured all around the States – performing in theaters and art galleries, backyards and basements, parks and caves, on farms and ocean piers. And while Garrison does most of his songwriting at home in Minneapolis, each song’s intricate orchestration is never fully realized until the ensemble is on the road. This process for the Spirits – the patience that carries relationships though months of distance, the yearning that builds, and the ecstasy of reunion – is what makes Jula a delicacy that was worth the wait.

Spirits of the Red City are on tour on the West Coast immediately following their September 24th release; tour dates are listed below.

 

RIYL: The Lumineers, Bon Iver, Mumford & Sons, Other Lives, Paper Bird

Start With: 2, 8, 6, 1     FCC CLEAN


FALL 2013 RECORD RELEASE TOUR DATES:

9/25—San Francisco, CA—Corpus Callosum w/Shenandoah Davis, Anthonie Tonnon

9/26—Sacramento, CA—Bows and Arrows w/Sean Hayashi, Dead Western

9/27—Cottage Grove, OR—Axe & Fiddle w/Nick Jaina

9/28—Tacoma, WA—Warehouse Presents w/The Thoughts, You Are Plural

9/29—Olympia, WA—Guest House w/You Are Plural, Stephen Steinbrink

10/2—Bellingham, WA—Underground Coffee

10/3—Portland, OR—Information w/Nick Jaina, Luzelena Mendoza

10/4—Bend, OR—Tin Pan Theater w/Rural Demons

10/5—Davis, CA—Sophia’s Thai w/Robin Bacior

10/6—Bolinas, CA—Gospel Flat Farmstand w/Asia Wong, Emily Ritz

10/9—Santa Cruz, CA—Dorota w/Gembrokers

10/11—Merced, CA—Multicultural Arts Center w/Muralismo

10/12—San Francisco, CA—Viracocha w/Spectre, Muralismo

 

Contact me for a download link if you’re a radio rep!

http://www.SpiritsoftheRedCity.com

http://www.facebook.com/spiritsoftheredcity

http://spiritsoftheredcity.bandcamp.com/

 

TEREU TEREU – QUADRANTS at Top 200 Radio Now!!!

GUYS!! This is the third Tereu Tereu project I’ve promoted!! Tereu Tereu is now officially the first (only, for now!) band that I have done not just one, not two, but THREE Band Mom radio campaigns for. Tereu Tereu is Band Mom family. They are grandfathered in. Other family stuff about my company name and my love for this band. Anyway the point is I have loved this band for a long time. But this is CLEARLY their best album yet! The first three tracks are improved versions of tracks you may recognize from the NW EP that I promoted in 2011, which are of course great, and then the rest is more-recently-written stuff that to me feels even more mature, like a band finally finding its own voice. The Dismemberment Plan/math rock influences of their earlier work are still there, but a little less so, and synthesized in with a new set of influences and a stronger sense of Ryan Little’s authorial voice. I can’t wait for you to hear it. It went for adds this past week (September 24) so now is the time to start (and continue) jamming it!!

TEREU TEREU

QUADRANTS

Bad Friend Records

Pieced together from years of divergent recording sessions, Quadrants is a trip through the creative evolution of D.C.’s Tereu Tereu. Hopping from Matador Records guitar love to the moody minimalism of Portishead and Ninja Tune, the band pulls together dark grooves and pop melodies with a noisy burst of revelry. An adventurous exhibition of a band in flux, the album compiles Tereu Tereu’s finest songs to date.

The hooks are never easy, but the challenges always pay off. Love of ’90s indie rock pairs up with (re)visions of early post-punk, deep-seated anxieties resound inside interstellar echoes, heavy grooves undulate beneath shimmering melodies, drums make love to guitars, computers and humans coexist, and we all just hope to survive the digital era.

After years of independently producing bright, noisy pop, Tereu Tereu changed shape. Now a duo comprised of Ryan Little and Brendan Polmer, the band plays a dark breed of disjointed rock. Founded in 2006 as a two-piece, the band switched line-ups several times over the years and has since returned to its roots, albeit with a different drummer and a heavier sound. The duo incorporates samples, loops, and electronics into their pared-down rock aesthetic, toying with laptop-assisted ambiance and Tuareg-inspired guitar work. So far, the band has released a few EPs and an album, toured through much of the Eastern half of America, and played shows with bands like Ra Ra Riot and The Dismemberment Plan. Quadrants is their second full-length album.

 

RIYL: Dismemberment Plan, Portishead, mewithoutYou, Silversun Pickups

Start With: 8, 5, 6     FCC: 3 (CLEAN EDIT AVAILABLE)


Contact me for a download link if you’re a radio rep!

http://tereutereu.com/

http://twitter.com/tereutereu

http://tereutereu.bandcamp.com/

http://badfriendrecords.com/artists/tereu-tereu

 

Anthonie Tonnon (Tono) is ON TOUR NOW!!

You may remember Anthonie Tonnon from the Band Mom’s highly successful radio campaign slightly less than one year ago for his album Up Here For Dancing, by his awesome New Zealand band Tono and the Finance Company, which peaked at #136 among 3 total weeks on CMJ’s Top 200. He’s been busy since then, touring all over the place and working on new recordings, now under his own name instead of the band moniker. And now he’s coming back to tour these United States (along with another Band Mom legacy artist, Shenandoah Davis!), and he’d love to meet you! All the necessary info should be in those corresponding links that say “info” in the list below, and then there’s an even more complete list including some house shows and such in this here facebook event!

This is NOT a CMJ charting campaign; there is no push to “add” Anthonie Tonnon tracks officially into your station’s rotation or on any official charts (all I sent out with the email tour announcement was a link to the top 3 most played tracks from the campaign plus one new track to represent his new work), although especially if you didn’t already spin the album to death last year (or if you did and you’re dying for the new track), you’re welcome to contact me for a download link, spin it and tell me what you think. But more immediately important: if you’re a radio rep in his path and can make it to a show or would like to cover one, please contact me for ticket hookups, or especially for interview or instudio opportunities with Anthonie Tonnon!


Anthonie Tonnon Fall 2013 Tour Dates (full tour info link here)

9/21 Seattle, WA – The Comet Tavern (info) 9PM 21+w/Shenandoah Davis, Tomten & Jordan O’Jordan

10/3 Los Angeles, CA – Genghis Cohen (info) 7:30PM w/ Shenandoah Davis & Johanna Chase

10/10 Albuquerque, NM – Low Spirits w/ Shenandoah Davis & Samuel Miller

10/12 Colorado Springs, CO – Fuel/Friends (info) w/ Shenandoah Davis

10/16 Denver, CO – Hi Dive (tix) 8pm $8 21+ w/ Shenandoah Davis, Princess Music & Natalie Tate

10/17 Ames, IA – Punk Rock Paradise w/ Shenandoah Davis & Paul Doffing

10/19 Columbia, MO – The Dome (info) w/ Shenandoah Davis

10/21 Minneapolis, MN – Aster Cafe River Room w/ Shenandoah Davis

10/24 Chicago, IL – Comfort Station w/ Shenandoah Davis

10/25 Quad Cities, IL – Rozz-Toxx (venue link) w/ Shenandoah Davis

10/28 Brooklyn, NY – Pete’s Candy Store (venue link)

10/29 Brooklyn, NY – Paper Box (venue link)


MORE INFO:

Anthonie Tonnon grew up in Dunedin, a university city at the bottom of New Zealand’s colder, less populated South Island. He started Tono and the Finance Company a generation after the city’s explosion of alternative bands – like The Clean, The Bats and The Verlaines, and labels like Flying Nun and Xpressway – at a time when new bands there seemed destined to work in the shadow of the 80s and early 90s. But despite taking an influence from The Verlaines in particular, and their US contemporaries like Pavement, Tonnon’s songwriting quickly moved in a narrative, character-focused direction with more in common with North Island bands like The Muttonbirds and Lawrence Arabia, American cult acts like Jonathan Richman, The Magnetic Fields, or Randy Newman, and British alternative bands of the same period, particularly Pulp, Morrissey and Billy Bragg. What set Tonnon apart was his knack of finding something universal while drawing the detail of a specific place.

 When Tonnon finally brought his Tono and the Finance Company project to the United States in Autumn 2012, he wasn’t fronting the dramatic, Pulp-esque five-piece that toured with Beirut in his native New Zealand earlier in the year. It was in the humbler guise of an electric guitar wielding solo act, in much the style of his hero, Jonathan Richman. But that is not to understate what is a formidable achievement for a man making music as far away from home as one can get.

Returning home, in November of 2012, Anthonie Tonnon went through a small reinvention: he booked a show under his own name, in a small bar in his hometown of Dunedin. Since then, he’s toured his home country twice with his new band, released a solo cassette tape of new songs, and toured New Zealand and Australia relentlessly with a rapidly developing one-man show on guitar and piano.

Now, as he arrives in the States for a second time, to tour with Shenandoah Davis, he brings with him a new set of songs from a soon to be released album, and a show that injects a gritty social realism with the dramatic, surprising and surreal.

Tonnon is available for in-studio performances and interviews along the length of his upcoming tour route.

http://tonoandthefinancecompany.com

http://facebook.com/tonoandthefinancecompany

http://tonotonight.tumblr.com

http://twitter.com/tonotonight

https://www.facebook.com/events/324164154384854/

Woo!! Contact me for interview or instudio opportunities with Anthonie Tonnon!

TIE THESE HANDS – COME ON Going for Top 200 Adds Now!!!

I met the Nebraska band Tie These Hands through my fellow like-minded sometime promoter/station rep/pal Nina, so it was easy to know that I’d want to work with these guys that already had her seal of approval. And they haven’t let me down! This band features 3 brothers, including a set of identical twins, and they remind me a lot of early Death Cab for Cutie, among other things. They’d also fit in pretty well with a lot of fellow Nebraskans Saddle Creek‘s roster, doing their home state proud. The album’s going for adds this week (7/16), and I had more hard copies than I often do so basically every station I’m at all aware of out there got one this time, so you’ve got no excuses – get on it, radio!!

TIE THESE HANDS

COME ON

Self-Released

Tie These Hands are based out of Lincoln, NE, and came to be when identical twins Aram and Naum Stauffer were in high school. A 2002 debut album was followed by a split release on Redemption Records, then a bit of a lull as life circumstances intervened (and additional member and Stauffer brother Seth did some tracking on The Good Life‘s record Album of the Year). In 2006 the band was approached by a promoter friend from Springfield, MO who was starting a label and wanted them for an album, so in 2007 they were joined by current member Ryan Phillips and released We Work Out on Workers Unite! Records. In 2011 they were contacted by Kilk Records in Japan, who in October of 2012 put out the full-length album, Come On, which they are now self-releasing in the U.S.

Come On was partially recorded in an old group home, using a guitar that survived a house burning down, and engineered by AJ Mogis of Criteria and Lullaby for the Working Class. It is about change, choices, free will, and women.

 

RIYL: Death Cab For Cutie, Weakerthans, Say Hi, Built To Spill, The Good Life

Start With: 5, 2, 11, 3     FCC CLEAN


Contact me for a download link if you’re a radio rep!

http://tiethesehands.com/

http://tiethesehands.bandcamp.com/

https://www.facebook.com/TieTheseHands

http://kilk.jp/

MAL BLUM – TEMPEST IN A TEACUP at Top 200 Radio Now!!!

Man, does Mal Blum rule. I got to know Mal through Zoe Boekbinder, another Band Mom artist/pal, and she is just as great. She comes from the direction of anti-folk or folk-punk, although her new album’s clear production value and full instrumentation puts it a step above what you’d traditionally expect from that category. Her songs are at turns funny, cute, pretty, sad and/or sweet, sometimes all at once. Some of her songs are about zombies and some of them are about crappy parties or okay cities and they are all SO GOOD.

MAL BLUM

TEMPEST IN A TEACUP

Betterweather Music

“The thing about Mal’s songs is that they will rip your heart out of your fucking chest but also will make you laugh at the same time.” – Chris Gethard (The Chris Gethard Show)

Mal Blum writes tongue-in-cheek songs often filled with feelings, travel stories or anthropomorphic metaphors. Her music is best described as containing elements from folk, punk, and anti-folk genres. She has released four albums and played hundreds of shows across the US, usually alone in her little Honda but sometimes with a band or another artist to keep her company. Currently that NYC-based band also includes Maia Mcdonald (of the band Mitten) on bass and Steph Barker (of Mrs. Danvers) on drums. She has supported national artists including two tours with folk rocker Melissa Ferrick and three co-headlining tours with Zoe Boekbinder, plus single shows with Jeffrey Lewis, Amanda Palmer, Hammell On Trial and Kimya Dawson.

Her latest effort’s opening song, “Overseas Now,” was recorded by Melissa Ferrick and starts off with xylophone notes paired with Mal’s unconventional voice and straightforward guitar strumming. Throughout the album, additional instrumentation like glockenspiel, piano, banjo, harmonica, cello, harp, and more help to bring out Mal’s optimistic energy, tempered with touches of heartbreak and vulnerability.

“Mal Blum’s arrival on the indie scene gives us all hope for the future of smart music.” — Melissa Ferrick

 

RIYL: Kimya Dawson, Jason Anderson, Paul Baribeau, Your Heart Breaks, Madeline, Jeffrey Lewis, Mirah, Zoe Boekbinder

Start With: 3, 6, 4, 7     FCC CLEAN


Contact me for a download link if you’re a radio rep!

http://www.malblum.com

http://www.malblum.bandcamp.com

http://www.twitter.com/malblum

http://www.facebook.com/malblummusic

  

ETERNAL FAIR – THE HORSE THAT CARRIES THE WHEEL at Top 200 Radio now!!!

Seattle’s Eternal Fair are a cool new thing for me, which I got to through old pal/Band Mom artist Shenandoah Davis (remember her? She’s helping manage these guys!). They blend classic rock elements with psychy stuff and come out sounding at times like My Morning Jacket or Band of Horses or even some Spiritualized, and at other times like The Who or their major influence Pink Floyd. Track 2 is the absolute jam. And I think we all know how I feel about Seattle bands. So GET ON IT!!

ETERNAL FAIR

THE HORSE THAT CARRIES THE WHEEL

Self-Released

With a palate for stratospheric anthems, a penchant for operatic heights, and vocal harmonies that could tame the wildest of animals, Eternal Fair is turning heads all over the Pacific Northwest with their brand of neo-psychedelic rock. Their debut full-length album, The Horse That Carries The Wheel, has garnered praise from critics and musicians alike. The Stranger’s Sean Jewell said of THTCTW, “There is not a single instrument out of place here, which starts to feel more and more like a colossal feat the deeper you get into the album,” while Pickwick’s lead singer Galen Disston described the album as “Quadrophenia-era classic rock that preserves all the classic elements – soaring vocals, surprising synths and proggy, epic songs.” Lemonade Magazine rated THTCTW 5 out of 5 stars and advised, “Eternal Fair is sure to find incredible success from their debut album. This band is doing all the right things to make it big, not only in Seattle, but worldwide. Now is the time to hop on the Eternal Fair bandwagon.” Influenced by the likes of My Morning Jacket, Sigur Ros, Jeff Buckley, and Pink Floyd, singer/songwriter Andrew Vait’s compositions meet with bassist Chris Jones and drummer Daniel Nash to seamlessly weave vintage soul with modern funk, psychedelic rock with lyrical pop, the sophistication of jazz and the nostalgia of folk.

Since the band’s formation, they’ve taken their time targeting their sound, creating an undeniable formula: melodically-driven songwriting, soaring vocal harmonies, powerful instrumental breaks, and a proper dose of hair-whirling swagger. Formerly the vehicle for all of songwriter Andrew Vait’s material, Eternal Fair split from Vait’s solo project in November of 2010. The band caught the attention of the larger Seattle music community when they opened for soul singer Allen Stone at The Crocodile in July of 2011. Sound on the Sound’s Josh Lovseth said of Eternal Fair’s performance, “frontman Andrew Vait’s classic rock persona came out in full force”. Former bassist Brent Rusinow eventually went on to pursue other projects, leaving the chair in good hands with Nash’s long-time friend and musical colleague Chris Jones. Having played together for years in the Seattle indie-pop outfit M. Bison, Nash and Jones brought an unmatched ferocity to Eternal Fair’s budding neo-psychedelic sound.

In June 2012, Eternal Fair organized a tribute to Jeff Buckley, which was supported and promoted by the late singer’s music team and featured on his website and international newsletter. The band successfully organized a Kickstarter campaign in the fall of 2012 that would eventually help to fund the recording of this, their debut full-length album.

“Eternal Fair has the makings of another huge break-out band from Seattle.”– Seattle Wave Radio

 

RIYL: My Morning Jacket, Band of Horses, Kings of Leon, Spiritualized, Pink Floyd, The Who

Start With: *2*, 5, 4     FCC CLEAN


Contact me for a download link if you’re a radio rep!

http://www.eternalfair.com

http://eternalfair.bandcamp.com

http://facebook.com/eternalfair

http://twitter.com/eternalfair

 
 

 
 

THE HAIRS – THE MAGIC’S GONE EP at Top 200 Radio NOW!!

I first met Kevin Alvir of the Hairs like 5+ years ago, through our mutual pals the Australian band The Lucksmiths (RIP Lucksmiths :( ). At the time he was in the supercool Brooklyn indiepop band Knight School and we kind of saw each other around at shows and stuff, but didn’t end up really registering on each other’s radars much more than that until several years later, when we were re-introduced through another mutual friend and I listened to his brand new band’s brand new recordings, which were already getting consistently praised by BrooklynVegan. Those first tracks I heard were really great and I was instantly hooked (in fact I even added one of them to the house mix we played on the PA between bands at my night job!), but this new EP they’ve just released on Break Records brings their recording quality to a whole new level. It’s still catchy, snarky, lo-fi indiepop, just like the first few tracks of theirs that I loved, but you can actually hear what’s going on in there underneath the fuzzy surface now, too. Check this out then brag to all your friends that you heard them first! (This EP went for Top 200 adds on 4/2, so it’s time to jam this stuff on yr station/chart on yr Top 30s now!)

THE HAIRS

THE MAGIC’S GONE EP

Break Records

Kevin Alvir, the front man of the impossible-to-get-out-of-your-head indiepop band The Hairs, has a lot to say. Alvir’s sprightly tenor skips and trips around classic pop riffs with an off-the-cuff confidence and a disarming sweetness that’s too uncommon these days.  With the quirky, earnest, and slightly squirmy quality of a Daniel Johnston ditty; the fey whipsmart sensibility of the Television Personalities; the “who gives a fuck” lo-fi production of Guided By Voices; and the wide-eyed nuanced outlook of Jonathan Richman, The Hairs make good hearted music, but with an edge – reminding the listener that life isn’t all “holding hands and eating ice cream,” but instead “dropping your ice cream cone and still eating it.”  Alvir is joined by Steve Tarkington on drums, and Jacob Sloan on bass.

“So far, Brooklyn indiepop outfit The Hairs have worked solely in the lower depths of fidelity, making songs that were as tinny-sounding as they were catchy. (That also goes for main man Kevin Alvir’s previous bands, Knight School and L’il Hospital.) While scratchy pop has its charms, it’s nice to hear The Hairs make the leap into mid-fi for their new EP” – from BrooklynVegan premiere of Track 1, “The Magic’s Gone”

“The Hairs’ Kevin Alvir has a great feel for those warm-sounding, catchy indie pop songs that recall the era of cassette singles and the type of fare that would get heavy rotation’d at college radio stations of yore.”…”a twee Wavves, a less punked-up/still snotty Cloud Nothings, an extremely polite Happy Flowers” – Stereogum

“finds the sweet spot between jangle and mope” – IFC

 
 

 

RIYL: Guided by Voices, The Clean, Television Personalities, The Drums, Daniel Johnston, Radical Dads, Woven Bones, Bleeding Rainbow, Cloud Nothings

Start With: 1, 4     FCC 2, 3 (CLEAN EDITS IN DOWNLOAD)

 

Contact me for a download link (with those clean edits!) if you’re a radio rep!

https://www.facebook.com/TheeeHairs

https://twitter.com/theeehairs

http://breaknewyork.com/